CINE FILM

Cine Film

We are currently producing four types of colour film and two of black and white film. Only new film purchased direct from the Eastman Kodak Company and Filmotec is rolled into 35mm cassettes. The film is rolled by machine directly from 1000 foot reels and finished with a machine cut leader, just as the major film manufacturers do.

The cassettes we use are recyclable when a Flic Pic is used to open them for processing. They can be reused for bulk rolling at home. Packaging is in a transparent canister that looks good on the shelf and reduces the packaging normally associated with film products.

CineColor 500T

Developer: ECN-2. (Can be developed with C-41 but the film has a Remjet layer that must be removed with an ECN-2 Prebath before use with C-41 chemicals.)

This is Respooled KODAK VISION3 Color Negative Film 500T. Kodak and Vision are trademarks of Eastman Kodak Company.

VISION3 500T is a high-speed, tungsten-balanced movie film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 500-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high-contrast outdoor lighting to mixed interior light situations. Advanced Dye Layering Technology (DLT) is also used to reduce the appearance of grain in the shadows for cleaner detailing and clarity. As part of the VISION3 series of movie films, this stock has high archival stability and is well suited to digital post-production processes.

CineColor 200T

Developer: ECN-2. (Can be deveoped with C-41 but the film has a Remjet layer that must be removed with an ECN-2 Prebath before use with C-41 chemicals.)

This is Respooled KODAK VISION3 Color Negative Film 200T. Kodak and Vision are trademarks of Eastman Kodak Company.

VISION3 200T is a medium-speed tungsten-balanced color negative movie film characterized by the fine grain structure of a 100-speed film with the flexible nominal sensitivity of a 200-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high contrast outdoor lighting to mixed interior light situations. As part of the VISION3 series of movie films, this stock has high archival stability and is well-suited to digital post-production processes.

CineColor 250D

Developer: ECN-2. (Can be deveoped with C-41 but the film has a Remjet layer that must be removed with an ECN-2 Prebath before use with C-41 chemicals.)

This is Respooled KODAK VISION3 Color Negative Film 250D. Kodak and Vision are trademarks of Eastman Kodak Company.

VISION3 250D is a medium-speed, daylight-balanced movie film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 250-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions and also maintains accurate notably color reproduction with vivid skin tones. Advanced Dye Layering Technology (DLT) is also used to reduce the appearance of grain in the shadows for cleaner detailing and clarity when working in low-light. As part of the VISION3 series of movie films, this stock has high archival stability and is well suited to digital post-production processes.

CineColor 50D

Developer: ECN-2. (Can be deveoped with C-41 but the film has a Remjet layer that must be removed with an ECN-2 Prebath before use with C-41 chemicals.) 

This is Respooled KODAK VISION3 Color Negative Film 50D. Kodak and Vision are trademarks of Eastman Kodak Company.

VISION3 50D is a low-speed daylight-balanced color negative movie film characterized by its ability to record a wide dynamic range with increased highlight sensitivity. It has an exposure index of 50 when shot in daylight conditions and its fine grain structure contributes to notably high image sharpness. As part of the VISION3 series of movie films, this stock has high archival stability and is well-suited to digital post-production processes.

TwynX

This is Respooled KODAK Double-X Black and White Negative Film. Kodak and Double-X are trademarks of Eastman Kodak Company.

Kodak Eastman Double-X is a high-speed, general-use panchromatic black-and-white negative film for both outdoor and studio use. It has a nominal sensitivity of 250 in daylight conditions and 200 under tungsten lighting, and it provides very high sharpness, a broad tonal range, and a fine grain structure.

Wolfen 100

A cinema film reminiscent of Kodak’s Plus-X Pan 100, this 35mm black and white fim is rolled from Orwo 54 reels, produced by the legendary East German company Filmotec. It can be developed in any black and white developer but shows its best attributes when developed in Flic Cine Film Developer, a developer based on Kodaks D-96 formula.

Available in 36 exposure rolls and 100′ bulk rolls

black and white FILM

620 ROLL FOMAPAN 100

For all those Kodak box cameras that took 620 film, these Flic made 620 spools are loaded with Fomapan 100 film. Kodak box cameras were designed for 100 speed film.

Flic UltraPan 100

UltraPan 100 is an ASA 100 panchromatic black and white negative film with wide exposure latitude, fine grain and a somewhat cinematic feel. Also available in 100′ bulk rolls

Flic UltraPan 400

UltraPan 100 is an ASA 400 panchromatic black and white negative film with good resolution and exposure latitude, made for lower light conditions.

c-41 color FILM      (coming in October)

Elektra 100

Elektra 100 is a variable ASA color film with extremely fine grain, high exposure latitude and fine acuity

FOMA PAPER

Arista EDU Ultra VC RC Glossy

The Arista.Edu Ultra Line of Film and Paper is the discerning educator’s choice for their students.

Arista.EDU Ultra VC RC Paper is a high quality, economic, medium-weight resin-coated enlarging paper for traditional black and white printing. The paper is intended for exposure by tungsten or tungsten quartz halogen exposure and can be developed by hand in trays or in commercial roller transport processors. It has neutral tone and a variable contrast design.  Use standard variable contrast magenta and yellow filters, between grades 0-5, to adjust contrast.  

Key Features

  • Traditional Black & White Enlarging Paper
  • Resin Coated (RC)
  • Glossy Surface
  • Neutral Tone
  • Medium Weight
  • Variable Contrast, supports grades 0-5
  • Compatible with Ilford, Kodak and Varycon B&W Printing Filters
  • OC and Red 15W safelight compatible
  • Develop in any standard B&W chemicals
  • Reliable supply, economically priced

Arista EDU Ultra VC RC Pearl

The Arista.Edu Ultra Line of Film and Paper is the discerning educator’s choice for their students.

Arista.EDU Ultra VC RC Paper is a high quality, economic, medium-weight resin-coated enlarging paper for traditional black and white printing. The paper is intended for exposure by tungsten or tungsten quartz halogen exposure and can be developed by hand in trays or in commercial roller transport processors. It has neutral tone and a variable contrast design.  Use standard variable contrast magenta and yellow filters, between grades 0-5, to adjust contrast.  

Key Features

  • Traditional Black & White Enlarging Paper
  • Resin Coated (RC)
  • Pearl Surface
  • Neutral Tone
  • Medium Weight
  • Variable Contrast, supports grades 0-5
  • Compatible with Ilford, Kodak and Varycon B&W Printing Filters
  • OC and Red 15W safelight compatible
  • Develop in any standard B&W chemicals
  • Reliable supply, economically priced

Arista EDU Ultra FB VC Glossy

The Arista.Edu Ultra Line of Film and Paper is the discerning educator’s choice for their students.

Arista.EDU Ultra VC FB Paper is a high quality, economic, double-weight fiber base enlarging paper for traditional black and white printing. The paper is intended for exposure by tungsten or tungsten quartz halogen exposure and can be developed by hand in trays or in commercial roller transport processors. It has neutral tone and a variable contrast design.  Use standard variable contrast magenta and yellow filters, between grades 0-5, to adjust contrast.  

Key Features

  • Traditional Black & White Paper
  • Fiber Base (FB)
  • Glossy Surface
  • Neutral Tone
  • Double Weight
  • Variable Contrast (VC), supports grades 0-5
  • Compatible with Ilford, Kodak and Varycon B&W Printing Filters
  • OC and Red 15W safelight compatible
  • Develop in any standard B&W chemicals
  • Reliable supply, economically priced